About the Editor
Hannah likes to have one foot in the nonfiction world, and the other in fiction—she loves any book that endeavors to change her mind, shows her an aspect of the world that she hasn’t considered, and has a strong narrative voice. The fiction she’s most drawn to usually contains a singular, unforgettable narrator, is driven by a strong plot, and if it makes her laugh or cry (or both!), she’s sold. Hannah’s nonfiction list tends to be either pop-culture focused or goes deep on an issue of the day. A book that feels like the next piece of the societal, cultural conversation of the day is catnip to her—especially if it’s one that readers from all areas of the country (or world) can read and relate to.
